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Rhythmanalysing the coach tour: the Ring of Kerry, Ireland

Identifieur interne : 000437 ( Main/Exploration ); précédent : 000436; suivant : 000438

Rhythmanalysing the coach tour: the Ring of Kerry, Ireland

Auteurs : Tim Edensor [Royaume-Uni] ; Julian Holloway [Royaume-Uni]

Source :

RBID : ISTEX:E726A59D3684A207DBC78D064E869089199271B6

Descripteurs français

English descriptors

Abstract

This paper utilises and extends Henri Lefebvre's ideas about rhythmanalysis to explore the rhythmic qualities of taking a coach tour. The paper investigates the Ring of Kerry tour in the West of Ireland and reveals both the reproduction and disturbance, through itinerary and narratives of the coach drivers, of anticipated discourses and visual indexes of commodified Irishness. Central to the paper is the ordering of different rhythmic assemblages, which connect and disconnect in multiple ways. It is argued that the rhythmic multiplicity of coach tours involve entanglements of embodiment, affective registers, technologies and materialities. The paper reveals how the myriad tempos and rhythms of the tour take on different consistencies and intensities at different stages of the journey, and investigates the capacities of these rhythms to affect and be affected by the pulse of the spaces moved through and stopped at. In so doing, a supplemented rhythmanalysis is suggested as a productive approach for apprehending tourist spaces, practices and landscapes.

Url:
DOI: 10.1111/j.1475-5661.2008.00318.x


Affiliations:


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Le document en format XML

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<term>Different consistencies</term>
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<div type="abstract" xml:lang="en">This paper utilises and extends Henri Lefebvre's ideas about rhythmanalysis to explore the rhythmic qualities of taking a coach tour. The paper investigates the Ring of Kerry tour in the West of Ireland and reveals both the reproduction and disturbance, through itinerary and narratives of the coach drivers, of anticipated discourses and visual indexes of commodified Irishness. Central to the paper is the ordering of different rhythmic assemblages, which connect and disconnect in multiple ways. It is argued that the rhythmic multiplicity of coach tours involve entanglements of embodiment, affective registers, technologies and materialities. The paper reveals how the myriad tempos and rhythms of the tour take on different consistencies and intensities at different stages of the journey, and investigates the capacities of these rhythms to affect and be affected by the pulse of the spaces moved through and stopped at. In so doing, a supplemented rhythmanalysis is suggested as a productive approach for apprehending tourist spaces, practices and landscapes.</div>
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